| SENSOR |
14 Megapixel MYSTERIUM-X |
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| PIXEL ARRAY |
5120 (h) x 2700 (v) |
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| MAX IMAGE AREA |
5120 (h) x 2700 (v) |
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| DYNAMIC RANGE |
13.5+ stops, up to 18 stops with HDRx |
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| LENS COVERAGE |
27.7 mm (h) x 14.6 mm (v) = 31.4 mm (d) |
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| MAX DEPTH OF FIELD |
Equivalent to S35mm (Motion)/APS-H (Still) lenses |
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| PROJECT TIMEBASE |
23.98, 24, 25, 29.97, 47.96, 48, 50, 59.97 fps, all resolutions |
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| REDCORDING FRAME RATES1 |
1–120 fps @ 5K |
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| 1–150 fps @ 4K |
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| 1–200 fps @ 3K |
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| 1–300 fps @ 2K |
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| REDCODE COMPRESSION1 |
Compression choices of 18:1 to 3:1 |
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| REDCODE RAW |
5K (Full Format, 2:1, 2.4:1, 16:9, 1.22:1 and Anamorphic 2x 1.22:1) |
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| ACQUISITION FORMATS2 |
4K (Full Format, 2.4:1, 16:9 “UHD”) |
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3K (Full Format, 2.4:1, 16:9) |
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2K (Full Format, 2.4:1, 16:9 “HD”) |
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1K (2.4:1, 720p “HD”) |
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| DELIVERY FORMATS3 |
4K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin) |
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| 2K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin) |
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| 1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG |
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| Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4 |
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| PROGRAM OUTPUT |
3G-SDI (HD-SDI) Clean Feed |
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| SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
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| MONITOR OUTPUT |
3G-SDI (HD-SDI) and HDMI with Frame Guides and Look Around or Clean Feed |
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| 1080p 4:2:2, 720p 4:2:2 SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
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| MONITORING OPTIONS |
RED Touch 5.0″ LCD |
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| RED PRO 7″ LCD |
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| RED Touch 7.0″ LCD |
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| RED Touch 9.0″ LCD |
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| BOMB EVF (LCOS) High Definition Viewfinder |
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| BOMB EVF (OLED) High Definition Viewfinder |
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| DIGITAL MEDIA (SSD) |
REDMAG 1.8″, RED MINI-MAG |
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| AUDIO |
2 channel, uncompressed, 24-bit 48 kHz |
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| Optional 4 channel, and AES/EBU digital audio |
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| REMOTE CONTROL |
R.C.P. Wireless, Ethernet, RS232, GPI Trigger |
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| CONSTRUCTION |
Aluminum Alloy |
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| WEIGHT |
5 lbs (BRAIN only) |
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| OPERATING TEMPERATURE |
0°C to 40°C (32°F to 104°F) |
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| STORAGE TEMPERATURE |
–20°C to 50°C (–4°F to 122°F) |
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| Tech specs reflect both current and projected information. Everything is subject to change. |
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| 1. REDCODE values and max frame rates may vary based on selected acquisition format/aspect ratio. For more information, see the DSMC Media Operation Guide. |
| 2. For more information on available acquisition formats, see the DSMC Operation Guide: EPIC/SCARLET. |
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| 3. Delivery formats from REDCINE-X PRO®. |
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